A completely new attraction at imm cologne in 2011 will be the textile show Pure Textile in Hall 11, where exclusive textile designers including Création Baumann, Kinnasand, Zimmer + Rohde and Nya Nordiska will be presenting their latest fabric creations and carpets.
Ralph Anstoetz, managing partner of JAB Anstoetz in Bielefeld, Germany, is strengthening his presence in Cologne as a result of this new feature: “Given our positive experience at last year’s furnishing fair in Cologne, and the fact that even more top textile designers have decided to come to imm, this year we will also present our subsidiaries Chivasso and Soleil Bleu par Wellmann.” The other exhibitors in the Pure Textile segment are also preparing intensively for the Cologne show – and planning to penetrate new sales markets.
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Patricia Urquiola, member of the imm cologne 2011 trend board. (photo: E15)
“Our task was to take a look at the various forms in which the trends are expressed,” says the Spanish designer Patricia Urquiola concerning the work of the imm cologne 2011 Trend Board. She considers this a pioneering development. “We have to realize that today there are completely different perspectives on what people consider innovative,” she says. “Sometimes a new interpretation of something old or a particularly simple and intelligent production method is much more innovative than a new material or an innovative technology. The concept of innovation is changing. In my opinion, it’s closely connected with people’s needs and with the way we use objects.”
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Konstantin Grcic (*1965) trained as a cabinetmaker at the John Makepeace School for Craftsmen in Dorset (1985 to 1987) before studying furniture design at the Royal College of Art in London.
After a year as an assistant to Jasper Morrison, he founded his own firm in Munich in 1991: “Konstantin Grcic Industrial Design”. The 90s saw the start of his success with laundry baskets and other plastic items for Authentics; then came style icons such as the Mayday lamp for Flos (1999), the swaying shelving unit Es for Nils Holger Moormann (1999), the Chaos armchair for ClassiCon (2001) and the Osorom seating element for Moroso (2002). The chair_ONE die-cast aluminium chair with a conical concrete foot (Magis, 2004) was actually intended for public spaces but went on to sell in its thousands as a sculptural lattice structure with seating function for the private loft. It was followed by the Miura bar stool (Plank, 2005).
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ID_OS is a development company for industrial and public design based in Frankfurt am Main. Since 1996, proprietor Olaf Schroeder (*1966) has been developing design concepts and solutions in the fields of product, furniture, system and exhibition design, as well as design projects for public spaces.
Besides the household products he has worked on for manufacturers Hailo, Leifheit and Rowenta, Olaf Schroeder has also developed and designed exhibitions and pavilion architectures. In 2003, Olaf Schroeder was awarded the state of Hesse’s special environmental award for his development work in connection with a solar-powered boat project. From 1998 until 2002, he was a lecturer at Offenbach University of Art and Design.
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After an apprenticeship as a cabinetmaker, Swiss-born Cuno Frommherz (*1963) spent several years working for an interior design firm (1992–1996). Besides collaborating with artist Piroska Szönye, he has been an independent furniture designer since 1996. He describes himself as an autodidact.
He lives and works in two different locations in Switzerland: he has a studio and apartment in a 400-year-old manor house in the Alpine setting of the little town of Schwyz and has also built himself a loft and studio in a 1930s textile warehouse in Burgdorf (photo). Cuno Frommherz develops concepts and designs products for European furniture companies like De Sede, Rolf Benz, Cassina or Leolux.
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EOOS: Gernot Bohmann, Harald Gründl (Mitte) and Martin Bergman. Photo: Udo Titz
EOOS consists of Martin Bergmann (*1963 in Lienz/East Tyrol), Gernot Bohmann (*1968, Krieglach/Steiermark) and Harald Gründl (*1967, Vienna). After graduating from the University of Applied Arts in Vienna, they founded their joint firm EOOS in 1995. Besides furniture and product design, EOOS also does shop design for clients like Giorgio Armani, Adidas, Alessi, Bulthaup, Bene, Duravit, Walter Knoll, Keilhauer, Matteograssi and Zumtobel.
For EOOS, design is a poetic discipline and a cultural service to society. EOOS Basic Research investigates rituals, myths and intuitive images as part of its “poetic analysis”. The company’s first books, “The Death of Fashion” and ”The Cooked Kitchen”, are available from publishers SpringerWienNewYork. EOOS has won more than 40 international awards to date, including the 2004 Italian design prize Compasso d’Oro for Kube, produced by Matteograssi. In 2007, Austrian Broadcasting Corporation ORF and daily newspaper Die Presse voted EOOS ”Austrians of the Year“ in the Creative Industries category.
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The print our feet leave on our planet should be as light as possible – that is the aim of Green Design. Product designers are no longer content with making a purely aesthetic mark. Instead, with unconventional ideas and sustainable product concepts, they are committed to making our lifestyle more compatible with the environment.
Green Design is the dream of “good” design, of things that don’t hurt anybody – not nature, who the material is taken from and is left to deal with the remains, not the planet, who the energy is extracted from and whose atmosphere it is emitted into, nor the people who make or use the object.
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A completely new attraction at imm cologne in 2011 will be the textile show Pure Textile in Hall 11, where exclusive textile designers including Création Baumann, Kinnasand, Zimmer + Rohde and Nya Nordiska will be presenting their latest fabric creations and carpets.
