imm cologne news

1furniture_exportThe average German only replaces his sofa with a new one every 8-12 years. Don’t you sometimes wish there was a scrapping incentive for furniture too?
We in the furniture industry aren’t calling for subsidies – we just want equal treatment for all sectors. Instead of getting people to scrap their cars, the politicians ought to be scrapping taxes for normal citizens and SMEs so they’ve got more money left in their pockets and budgets at the end of the month – money they can use however they see fit.

The imm cologne’s Trendboard is anticipating a return to more quality consciousness as a response to the economic crisis. Is “real” quality actually still affordable these days?
We’re living in a time when people are refraining from quick consumption again so yes, you could say people have started to change their mentality. They’re becoming more sensitive to how we use the world’s resources and looking for things that promise value and durability again. That’s why there’s an increasing demand for sustainability and value in our industry too. For earlier generations it was normal not to follow every furniture or clothing fashion or go along with every new style that came out. Then there was a period of rapid and changing consumption. The pleasure was often short-lived and the products interchangeable.

Weiterlesen…

1trendboard

Cecilie Manz, Marcus Fairs, Johanna Grawunder, Giulio Ridolfo and Bertjan Pot (f.l.t.r.) Photo: Koelnmesse; Lutz Sternstein

Every summer, five or six renowned designers get together in the tower block of Cologne exhibition centre for an unusual workshop that culminates in a prognosis of the most important developments in interior design: the Trend Book with the interior trends of the coming year. Every year, the Trendboard convened by the imm cologne brings together product designers, architects, material specialists and journalists who are regarded as internationally acknowledged authorities on design and are successful at international level. The Trendboard line-up changes every year and represents several nationalities and disciplines.

This year, materials specialist Giulio Ridolfo and journalist Marcus Fairs ensure the desired continuity. Giulio Ridolfo, a designer and textile consultant from Italy’s creative stronghold Udine, made a name for himself with his unusual works for the likes of Patricia Urquiola.

London author Marcus Fairs’ reputation is founded on his online magazine dezeen. New impulses came from American architect and interior designer Johanna Grawunder, whose work in the field of product design includes exclusive and colourful limited editions, and Cecilie Manz, a young and successful designer from Denmark with an excellent instinct for materials and colours. Dutch designer Bertjan Pot, the third new face on this year’s Trendboard, is also part of the young, successful generation of designers that is currently accelerating the pace of change in the design scene.

As in previous years, the Trendboard was accompanied by Andrej Kupetz, managing director of the Frankfurt-based German Design Council since 1999.

Weiterlesen…

konstantin_grcicKonstantin Grcic (*1965) trained as a cabinetmaker at the John Makepeace School for Craftsmen in Dorset (1985 to 1987) before studying furniture design at the Royal College of Art in London.

After a year as an assistant to Jasper Morrison, he founded his own firm in Munich in 1991: “Konstantin Grcic Industrial Design”. The 90s saw the start of his success with laundry baskets and other plastic items for Authentics; then came style icons such as the Mayday lamp for Flos (1999), the swaying shelving unit Es for Nils Holger Moormann (1999), the Chaos armchair for ClassiCon (2001) and the Osorom seating element for Moroso (2002). The chair_ONE die-cast aluminium chair with a conical concrete foot (Magis, 2004) was actually intended for public spaces but went on to sell in its thousands as a sculptural lattice structure with seating function for the private loft. It was followed by the Miura bar stool (Plank, 2005).

Weiterlesen…

growing_tableID_OS is a development company for industrial and public design based in Frankfurt am Main. Since 1996, proprietor Olaf Schroeder (*1966) has been developing design concepts and solutions in the fields of product, furniture, system and exhibition design, as well as design projects for public spaces.

Besides the household products he has worked on for manufacturers Hailo, Leifheit and Rowenta, Olaf Schroeder has also developed and designed exhibitions and pavilion architectures. In 2003, Olaf Schroeder was awarded the state of Hesse’s special environmental award for his development work in connection with a solar-powered boat project. From 1998 until 2002, he was a lecturer at Offenbach University of Art and Design.

Weiterlesen…

1imm09_06_trends_e_dtAfter an apprenticeship as a cabinetmaker, Swiss-born Cuno Frommherz (*1963) spent several years working for an interior design firm (1992–1996). Besides collaborating with artist Piroska Szönye, he has been an independent furniture designer since 1996. He describes himself as an autodidact.

He lives and works in two different locations in Switzerland: he has a studio and apartment in a 400-year-old manor house in the Alpine setting of the little town of Schwyz and has also built himself a loft and studio in a 1930s textile warehouse in Burgdorf (photo). Cuno Frommherz develops concepts and designs products for European furniture companies like De Sede, Rolf Benz, Cassina or Leolux.

Weiterlesen…

EOOS: Gernot Bohmann, Harald Gründl (Mitte) und Martin Bergman. Foto: Udo Titz

EOOS: Gernot Bohmann, Harald Gründl (Mitte) and Martin Bergman. Photo: Udo Titz

EOOS consists of Martin Bergmann (*1963 in Lienz/East Tyrol), Gernot Bohmann (*1968, Krieglach/Steiermark) and Harald Gründl (*1967, Vienna). After graduating from the University of Applied Arts in Vienna, they founded their joint firm EOOS in 1995. Besides furniture and product design, EOOS also does shop design for clients like Giorgio Armani, Adidas, Alessi, Bulthaup, Bene, Duravit, Walter Knoll, Keilhauer, Matteograssi and Zumtobel.

For EOOS, design is a poetic discipline and a cultural service to society. EOOS Basic Research investigates rituals, myths and intuitive images as part of its “poetic analysis”. The company’s first books, “The Death of Fashion” and ”The Cooked Kitchen”, are available from publishers SpringerWienNewYork. EOOS has won more than 40 international awards to date, including the 2004 Italian design prize Compasso d’Oro for Kube, produced by Matteograssi. In 2007, Austrian Broadcasting Corporation ORF and daily newspaper Die Presse voted EOOS ”Austrians of the Year“ in the Creative Industries category.

Weiterlesen…

The print our feet leave on our planet should be as light as possible – that is the aim of Green Design. Product designers are no longer content with making a purely aesthetic mark. Instead, with unconventional ideas and sustainable product concepts, they are committed to making our lifestyle more compatible with the environment.

Green Design is the dream of “good” design, of things that don’t hurt anybody – not nature, who the material is taken from and is left to deal with the remains, not the planet, who the energy is extracted from and whose atmosphere it is emitted into, nor the people who make or use the object.

Weiterlesen…

Ever since the awkward eco-fashion designer Miguel Adrover became the latest worldwide craze and insider tip and designed the autumn collection 2008 for the conventional German natural fashion mail-order company Hessnatur, it has been clear: Sustainability has developed into a boundless mega trend.

This is a fact that Vereinigte Möbeleinkaufs-GmbH & Co. KG is well aware of. With its new line “Woods & Trends” based on solid wood furniture, the industry player from Bielefeld is reacting to the fact that more and more consumers want ecologically manufactured lifestyle products. And these are already plentiful in the furnishings world – unlike in other industries. They can be seen at imm cologne from 19 to 25 January 2009.

Weiterlesen…

The Cologne furnishing fair imm cologne 2009 (19 to 25 January 2009) reflects the furnishing trends of tomorrow. It isn’t just furniture and interior design concepts that tell of a change in our everyday life, the structures of our homes do too.

“Trends are like waves in the ocean…they advance slowly and retreat slowly, and move on a different level as they do so,” says Eero Koivisto, the Swedish architect and designer who is analysing the future style developments in interior design as a Trendboard member on behalf of koelnmesse. The simile is all the more fitting as many trends return after a period of time in a slightly different form – after all, waves too are nothing more than new forms of one substance that is in constant flux.

Weiterlesen…

One of the highlights of the imm cologne 2009 is Stephen Burks’ Composite Lounge in hall 11. The ecological and artisanal aspects of his work are especially important for the famous designer from New York.

Burks’ latest project, the Composite Lounge, raises the question if the enormous abundance of industrially produced mass furniture is compatible with the demands of sustainable economic activities. The lounge, being almost a huge installation, reminds of a street scene.

Burks combines urban elements such as street lamps and huge dumpsters with a motley collection of piled up new sofas and seats held together by gaudy straps.

Next Page »

 

imm cologne

18. - 23.01.2011

imm cologne